Scottish musician Ian Cape has held the percussion chair at Les Miserablés (the world’s longest running musical) in London’s West End since June 2011, following a record-breaking tour with the re-orchestrated 25th Anniversary production of the show.

Whilst studying at the Royal Academy of Music, Ian began a varied freelance career playing across a smorgasbord of genres and styles. Classical work includes the London Symphony Orchestra, Royal Northern Sinfonia, BBC Concert Orchestra, Rambert Ballet, Aurora and the Hallé. Commercial work includes Queen guitarist Brian May, singers Alison Moyet and Lemar, the pits of the West End and of numerous touring productions, and shaking/hitting/scraping things for assorted films/adverts/video games/tv projects.

Born in Edinburgh, Ian started his musical life by tapping on the pews in his local church. After years of pestering his long-suffering parents, he began studying drum kit aged 9, playing with several rock bands shortly thereafter. Percussion lessons with Pam Dow at the Junior Department of the then Royal Scottish Academy of Music and Drama culminated in a bursary to study at the Royal Academy of Music in London.

His musical endeavours have resulted in many interesting experiences including playing aeroplane engines in Bologna, tom-toms (instead of timps) in Damascus, and the vacuum cleaner, dressed as a budding housewife.

He is currently developing a line of signature mallets with Acoustic Percussion with the music theatre/contemporary/studio percussionist in mind.

In his spare time, Ian enjoys hiking, climbing, learning Swedish and cooking. He is married to timpanist/percussionist Erika Öhman, and splits his time between London and Cheshire.

Ian is also involved with the music youth project at Cre8, a Macclesfield charity.

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